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Digico SD7 with HMA Optics, Waves, etc

$82,400.00

Other Details

For Inquiries Contact:
Shipping:
Free Shipping
Warranty:
Limited 90 day warranty
Sales Questions?:
Condition:
Used

Pre-owned SD7 in excellent condition

Contact andy@tourprogear.com for inquiries

Digico sd7 Package includes

1

SD7 Surface

1

Core 2 Upgrade

1

Waves Package

1

HMA Optics Package

1

Sd-Rack 56/32

1

ATA Road Cases


Digico’s SD7 integrates dual redundant audio engines and a range of onboard inputs and outputs that can be connected to multiple Input/Output Rack Units by optical fiber and/or MADI links, which carry all the audio input and output signals. The console consists of 3 sections that can be configured to control up to 254 input/output channels, up to 36 VCAs, 128 busses and 32 Matrix Inputs and Outputs. The left and right sections have 12 assignable faders and 12 sets of assignable on-screen channel controls, the center section has 24 assignable faders and 2 pairs of assignable master faders. The console's buss architecture is dynamic, and can support mono, stereo, LCR, LCRS and 5.1 configurations. Multiple console setups can provide: Front of House and Monitoring with shared stage racks and gain tracking. Remote control of one console from another console or from a laptop computer.

 

Powering the SD7 is a Stealth mixing and routing engine, exclusive to DiGiCo. Based on FPGA (Field Programmable Gate Array) technology, known as Super FPGA, it’s a core component of the SD7’s quantum leap in console design. Allied to two of the latest generation of SHARC® effects, dynamics and control processors, it endows the console with a staggering eight times the overall processing power of previous SD incarnations. The benefits are to be found not only in the high-resolution audio processing that makes 128 simultaneous 192kHz signal paths readily achievable, or 256 at 48kHz/96kHz, but limitless flexibility too. Make the most of 448 simultaneous optical and 224 MADI and 24 analogue and AES/EBU connections, plus 128 busses, 32 matrix busses and 32 graphic equalizers, to build the biggest and most complex shows. With two Tiger SHARC® chips that provide an awesome array of quality effects. And in packing all this power into just four chips against the D Series’ 39, the SD7’s efficiency is dramatic, while space has been freed up to allow two complete redundant processing engines to be accommodated within the console.

 

SD7 DATA

Faders

38 x 100mm touch-sensitive, motorized 14 x 60mm touch sensitive, motorised

Screens

3 x 15” LCD high - resolution touch screens

Meterbridge

3 x Custom Mounted LCD high-resolution TFT-LCD screens

Redundancy

Internal removable engine x 2

Internal

hot-swappable PSU x 2

Processing Channels

Up to 256 (combination of Input Channels / Aux / Solo Group Busses)

Busses

Up to 128 Aux / Group busses with full processing Mono / Stereo / LCR / 5.1 / 7.1

Matrix

Up to 32 Input / 32 Outputs with full processing

Control Groups

Up to 32, selectable for VCA-style, Moving fader, Mute Group

Graphic Eq

32 x 32-band, Gain +/- 12dB

Internal FX

A multitude of Reverbs / Delays / Other Effects (To be detailed at a later date).

Local I/O

12 x mic/line I/O, 12 x AES I/O

MADI interface

4 redundant interfaces, BNC connectivity

Optic interface

Fibrecast optic

Sampling rates

48kHz / 96kHz / 192kHz (processing capabilities halved at 192kHz)

GPI/GPO

16 as standard, expandable to 32

Video

Inputs x 2, Outputs x 2

Ext Sync

Wordclock, AES, Video, MADI, Optics

Dimensions

1496mm (w) x 875mm (d) x 503mm (h)

Weight

107Kg (267Kg with flightcase)

Power Requirements

90V-260V, 50-60Hz, 600VA

Audio Specification

Sample Rate

48kHz, 44.1kHz or 96kHz

Processing Delay

2ms Typical @ 48k(60 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @96k

Internal Processing

Up to 40-bit, Floating Point

A>D & D>A

24-bit Converter Bit Depth

Frequency Response

+/- 0.6dB (20Hz – 20kHz)

THD: <0.05% @ Unity Gain

10dB Input @ 1kHz

Channel Separation

Better Than 90dB: (40Hz – 15kHz)

Residual Output

<90dBu Typical

Noise

(20Hz - 20kHz)

Microphone Input

Better Than -126dB: Equivalent Noise

Maximum Output Level

+22dBu

Maximum Input Level

+22dBu

Processing Channel Specification Input Channel

Name

User-Defined / Presets

Channel Selection

Mono / Stereo / Multi

Input Routing

Main & Alternate Input

Analogue Gain

-20 to +60dB

Phase

Normal / Reverse

Digital Trim

-40 to +40dB

Delay

>1 Sec (Coarse & Fine Control)

DiGiTuB

Drive 0.01 - 50.0

Bias

0 - 6

LPF

20 – 20kHz, 24dB/Oct

HPF

20 – 20kHz, 24dB/Oct

Insert A

(Pre EQ/Dyn) On/Off

Equalisation

4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/

Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1

Dynamics 1

Single or Multiband (3-Band)
Compressor: On/Off
Threshold; -60 – 0dB 
Attack; 500us – 100ms 
Release; 10ms – 10s 
Ratio; 1:1 – 50:1 
Gain; 0 to +40dB with 
Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, Soft
De-Esser: Threshold : 20us – 20ms
Release : 1ms – 100ms
Ratio : 1:1 – 50:1
Ess-Band : Listen On/Off
Ess-Band Filter Freq / Width: 20Hz – 20kHz

Dynamics 2

Gate / Ducker: Threshold; -60 – 0dB
Attack; 50us – 100ms 
Hold; 2ms – 2s 
Release; 5ms – 5s 
Range; 0 - 90dB 
Key; Any Source 
Key Listen 
Freq/Width; 20 – 20kHz
Compressor: On/Off

Threshold; -60 – 0dB 
Attack; 500us – 100ms 
Release; 10ms – 10s 
Ratio; 1:1 – 50:1 
Gain; 0 to +40dB with 
Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any Source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz

Insert B

(Post EQ/Dyn) On/Off

EQ/Dyn order

EQ/Dyn or Dyn/EQ

Mute

Channel Mute / Hard Mute

Solo

Solo Buss 1 / Solo Buss 2 / Both, Auto Solo

Channel Safe

Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,

Full Safe

Output Routing

Buss, Insert A, Insert B, FX

Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB

Fader

100mm Motorised Fader ∞ to +10dB

Processing Channel Specification
Aux / Group / Matrix Output

Name

User-Defined / Presets

Phase

Normal / Reverse

Digital Trim

-20 to +60dB

Delay

>1 Sec (Coarse & Fine control)

DiGiTuBe

Drive 0.01 - 50.0

Bias

0 - 6

LPF

20 – 20kHz, 24dB / Oct

HPF

20 – 20kHz, 24dB / Oct

Insert A

(Pre EQ/Dyn) On/Off

Equalisation

8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic

(Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1

Dynamics 1

Single or Multiband (3-band)
Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB
with Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, Soft
De-Esser: Threshold: 20us – 20ms
Release: 1ms – 100ms
Ratio: 1:1 – 50:1
Ess-Band: Listen On/Off
Ess-Band Filter Freq/Width: 20Hz – 20kHz

Dynamics 2

On/Off
Gate / Ducker: Threshold; -60 – 0dB

Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 - 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHz
Compressor: On/Off 
Threshold; -60 – 0dB 
Attack; 500us – 100ms 
Release; 10ms – 10s 
Ratio; 1:1 – 50:1 
Gain; 0 to +40dB 
with Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any source 
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz

Insert B

(Post EQ/Dyn) On/Off

EQ/Dyn Order

EQ/Dyn or Dyn/EQ

Mute

Channel Mute / Hard Mute

Solo

Solo Buss 1 / Solo Buss 2 / Both, Auto Solo

Channel Safe

Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe

Output Routing

Outputs, Insert A, Insert B, FX

Fader

100mm Motorised Fader ∞ to + 10dB

 

 

 

 

SD7 Schematic

digico-sd7-schematic-shs-global-v1.png

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Warranty Information

Thank you for your interest in the products and services of Tourpro, Inc. This Limited Warranty applies to physical goods, and only for physical goods, purchased from TourPro, Inc. (the "Physical Goods").

TourPro, Inc. , shsglobal.com, shsglobal.org, and tourprogear.com offers a 48 hour period, upon receipt, to inspect items for incorrect shipments or defective items. If an item is found to be defective, please contact TourPro, Inc. to resolve to issue as soon as possible. If, during the 72 hour period, an item is found to be defective, TourPro, Inc. will offer to ship replacement parts/items for product repair.

This Limited Warranty extends to the original purchaser only and is not transferable.

The all products listed for warranty, other than the 48 hour warranty listed above, may only be returned, repaired or replaced due to defect through the manufacturer directly, as per the manufacturer's policies.

What does this limited warranty cover?

This Limited Warranty covers any defects in material or workmanship under normal use during the Warranty Period.

What will we do to correct problems?

TourPro, Inc. will:

Tourpro, Inc., and tourprogear.com offers a 72 hour period, upon receipt, to inspect items for incorrect shipments or defective items. If an item is found to be defective, please contact TourPro, Inc. to resolve to issue as soon as possible. If, during the 72 hour period, an item is found to be defective, TourPro, Inc. will offer to ship items for product repair.

How long does the coverage last?

The Warranty Period for Physical Goods purchased from TourPro, Inc. is 48 hours from the date of product delivery.

A replacement Physical Good or part assumes the remaining warranty of the original Physical Good or 2 Days from the date of replacement or repair, whichever is longer.

What does this limited warranty not cover?

This Limited Warranty does not cover any problem that is caused by:

Shipping damage; all shipping damage issues will be handled by company, or companies, who shipped the product as agreed to by TourPro, Inc. and/or customer of product.

Conditions, malfunctions or damage not resulting from defects in material or workmanship Conditions, malfunctions or damage resulting from negligence, improper maintenance or modification- Damaged or destroyed by natural causes including but not limited to lightning, flood, or other natural disaster- Theft or loss of the Physical Goods This Limited Warranty does not cover any shipping charges, handling charges, gift wrap fees or taxes. You are responsible for and must prepay all shipping charges.

This Limited Warranty is void if the Physical Goods are returned with removed, damaged or tampered labels or any alterations.

What do you have to do?

To obtain warranty service, you must obtain a Return Merchant Authorization (RMA) number and instructions on how to return a product by contacting us.

Deliver the Physical Goods, in either its original packaging, including any accessories or documents that shipped with the Physical Goods to the address specified by TourPro, Inc. .

To obtain the Return Merchant Authorization (RMA) number, you can contact us by any of the following contact methods:

By email: sales@tourprogear.com

Other Details

For Inquiries Contact:
Shipping:
Free Shipping
Warranty:
Limited 90 day warranty
Sales Questions?:

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